Long or deep
A strong line is read as talent that gets noticed.
Runs vertically below the ring finger
The sun line runs vertically below the ring finger. It is read for recognition, creativity and public success. Palmistry attaches meaning to its length, depth and breaks — none of which has been shown to predict anything.
A strong line is read as talent that gets noticed.
Absent in most hands. Its absence means nothing.
Multiple lines are read as several creative outlets rather than one.
Anatomy, not divination
A secondary line, absent more often than present.
A minor flexion line below the ring finger, formed by the same folding mechanics as the others.
Missing in the majority of hands. Any reading that treats its absence as a lack of talent is describing most of humanity.
Everything above is checkable. Everything in the sections before it is tradition. Keeping the two apart is the difference between reading about a practice and being sold one.
Where it starts, where it ends and what it does on the way — these are what a reader actually looks at, and they differ from line to line.
Read as talent that gets noticed. Uncommon.
Read as recognition arriving late rather than not at all.
Read as multiple creative outlets — or as scattered effort, depending who is reading.
Absent in most hands and carrying no negative meaning whatsoever.
Read as an obstacle to recognition — a rivalry or a setback.
Runs vertically below the ring finger. Timing runs along its length, so a mark near the start is read as early life and one near the end as late.
Also called the Apollo line. Fame is not written into a palm.
Marks along a line — islands, breaks, forks, stars — modify it wherever they sit. They work the same way on every line, so they are explained once rather than repeated: the full table of marks is on the main palmistry page.
Also called the Apollo line. Fame is not written into a palm.